Thursday, March 29, 2012
I'm too little too late to be posting this incredibly addictive album because they've recently disbanded. And I'm only getting to know their stuff. It feels weird, kinda like getting a boner to the late Winehouse. Makes me wish I had a damn tardis. Dramatics and necrophilia aside, there's no reason why we can't still dance to This is Happening! Headed by James Murphy, LCD Soundsystem borrows heavily on the sounds of yesteryear. LCD really took off in 2005, with the cleverly titled hit Daft Punk is Playing at my House. Wearing influences on their sleeves, they seem to have taken a short detour to Post-Punk manchester in This is Happening. The track You Wanted a Hit places a danceble twist to monotone vocals and chopped up basses.
His composition splits up markedly into two different facades. Positive upbeat and the other, brooding and contemplative. The opener Dance Yrself Clean falls into the latter. It starts off minimally with soft, whispered introspective vocals against a backdrop of a 2 chord repitition. Simple but profound. Though cutting off at 3 mins, the song goes apeshit and drops heavy synths and Cold-War Kids styled falsettos left and right. It's profound lyrics sheds light on Murphy's divorce,
Don't you want me to wake up?
Then give me just a bit of your time
Arguments are made from make outs
So give it just a little more time
We've got to bring our results
I wanna play it 'til the time comes
But there's a string of divorces
You go and throw your little hands up
How he makes his mid-life crisis so fucking danceable is beyond me. There are other notable tracks on This is Happening, and you should check them out. Seems like the clean cut Dance Punk genre is dying out, giving way to thick fuzzy works like SBTRKT, Joy O, Burial and Four tet. For old times sake, get a hold of this album and pray for a reunion!
Wednesday, March 14, 2012
Jens Lekman; the suave swede strikes again! An Argument with Myself feels like a rolling film that is played in a first person narrative. The self titled opener feels very much like a Kerouac piece in terms of spontaneity. Lekman also manages to squeeze in thoughts that hints on borderline dementia :
"Fuck you no YOU fuck you!"
Why you hiting yourself, why you hitting yourself?"
History repeats itself twice said Marx
First as tragedy, then as farce
But where did I find the source
To make history of a love, a love like ours ?"
Haha okay, maybe not so subtle. The lyricsm comes off as vulgar and literal though it's done in a comical yet catchy way. I'm sure it'll rack up lots of replays. Each track in this bite-sized 18 min album is sonically distinct and dishes out witty words by the metre. Overall, An Argument with Myself feels very much like a continuation from Night Falls Over Kortedala, his second full length release back in 2007. Although now he's shifted from the topic of young love and more towards self discovery; On dealing with people, places and the mundane realism of life.
There is a free download available on soundcloud. Grab it!
Photos by: moses_namkung
Monday, March 12, 2012
Here's a gem. Lady Lamb the Beekeeper is the moniker Aly Spaltro adopted for her jungle folk stage persona. I managed obtain a copy of her live performance in Boston, Live at Brighton Music Hall and I got hooked on her milk & honey. Miss Spaltro, is that a bibical reference behind your name? What struck me most was her raw voice. It's audibly strained yet, that somehow charges it with more emotion. Hair to the Ferris Wheel is well suited to her vocal style.
"Love is selfish,
Love goes Tick tock Tick tock Tick.
Love is Rubbissssssssssh "
It validates the whole performance and makes it more sincere/heartfelt. The musical arrangement is just her vocals and a guitar. Simplicity, spiced with appealing melodies and poignant lyrics makes for a good listen. Now little miss Spaltro placed her studies on hold to focus solely on her craft. It's paid off, having played with chamber pop giants, Beirut plus getting named Folk Artist of the Year by the Boston Music Awards.
Also, I had to say this: She is gorgeous.
Lady Lamb the Beekeeper : Bandcamp, Facebook.
Saturday, March 3, 2012
Riding in a fresh 80's melodramitic retro pop wave, 21 year old Justin Vallesteros's Idle Labor is filled with teenage themes of heartache and unhappy love. Evidently, Craft Spell's lead has a ton of relationship problems, though he manages to dress up them up nicely. Idle Labor steps aside from its bedroom singer-songwriting predisposition with groovy basslines and lovely reverberating guitars that seem to echo throughout the album; much like the everpresent hum of passing trains.
Vallesteros is a relative newcomer, started releasing material towards the end of 2009 with Party Talk, and following it up 2 years later with Idle Labor has progressed nicely, garnering a fair bit of attention for his efforts. Admittedly, his sound isn't quite there yet, I have the pervading sense that the drums could have been placed to better use, instead of just being. The vocals dealt in a whispery monotone stream places an emphasis of longing in Scandinavian Crush.
Craft Spells seems sonically reminiscent of early New Order (Age of Consent/Temptation/Leave me Alone); tiredness, gloom and drained-out dancing notwithstanding. After the Moment is easy and catchy; you'll want to sway to the beat. Though some songs are just repetitive and not well made, You Should Close the Door for example it does nothing to me. Worry not, cause the other tracks more than makes up for it. All in all, Idle Labor is the first solid material Craft Spells has made, question is: Are they just another blog-worthy band destined to fizzle out within the year?